'full moon over fire,' by josh Blaine

Wednesday, February 17, 2010

Thesis Proposal from November 13, 2009

As a visual artist I am mostly influenced by television and cinema. Although this is probably an unhealthy addiction it does however flood my mind with endless visual stimulus for my own work. A lot of my photography is highly manipulated which creates an end result that has a graphic design quality, something one might expect to see in an advertisement. This is how I would like my thesis project to be displayed, a cross between commercial and fine art. Being influenced by visual media I have noticed obvious messages and overtones that are repeated obsessively on both television and cinema. These messages are ones of an impending doom and pessimism. What I then gain from all this is the sense that humanity as a whole is an illusion. I believe our species sees itself as the most intelligent and therefore most sophisticated; while hiding behind this mask we commit the most vial and destructive acts that are far from anything humane. I personally find this hypocritical act to be ridiculous and as and artist I would like to illustrate specific examples in a collection of photo collages accompanied by sculpture.

This collection, most likely titled, "The Illusion of Humanity," will focus attention on elements in American society that are taboo and/or blissfully ignored by the average citizen. The overall theme centers on the idea that there is a large system that has many people dependent on it for survival. For this system to flourish and remain ahead of its competition it embarks in activities that are cruel and unhealthy such as war and pollution. These activities are made public to those who choose to know, but the average consumer chooses to ignore them to maintain a clean conscious. For example, a popular fast food chain treats the animals they raise and slaughter cruelly while the consumers of the restaurants turn a blind eye for its cheaper prices. I plan to touch on more than just consumerism, I will also explore the injustice of the war on drugs and the phony iconic view of the American family. This sounds like a lot but I intend to compress these very different issues into individual images which will develop into an exhibition of much controversy and bleak perspecive. The end result will not be so much about the topics they display, I choose to focus more on the aesthetic value of the images. Each topic will be its own illustration, a photo collage with mixed media.

The project will consist of a series of large format, highly manipulated photographic collages with mixed media, and also small scale sculptures that will not only be used as props in the photos but will also accompany the hanging images in the expo. The images will be manipulated by both digital editing with photoshop and in post printing editing/art making, such as painting and sketching over the prints. The final images will consist of composites from many different images spliced together to create collages. The collages will create the illusion that the image was shot and created from one photo; much like how Gregory Crewdson works, but will also have elements that make it design like with paint added to various sections to achieve abstraction.

The overall style will show a bleak view of society, influenced by current media trends. I will present about 5-7 completed large scale images. Each image will focus on one subject or one situation at a time. To create the composite images I will digitally photograph each element of the image separately. Each element will then be cut away from its background and merged with the other elements, fitting together like pieces of a puzzle. One such element will be parts of a machine. The individual machine parts will be shot seperately along with a portrait of a human subject to create one of the final images. This particular image will depict a poorly designed cyborg-like person, someone who needs these added machine elements in order to live and function correctly. Examples of other elements to be shot are medical instruments which will be manipulated and sculpted by myself . Most of my images will require various sculptures as well as small sets. These sculptures will be part of my final display. In front of each hanging image will be a small scale sculpture on a pedestal or stand. I will try and produce at least one sculpture for each image. I think this will enhance the viewing experience of my overall exhibit by providing something more tangable and real than just a flattened image.

As an artist I work completely without assistance in isolated studios, remote shooting locations, and in a personal editing studio. I prefer to work completely alone because it frees me from distractions and outside influence. As a person with ADD and social phobia it is extremely easy for me to become distracted and stifle creative flow, which is why I isolate myself. All subjects in my photos are either self portraits or photos I appropriate from my professional work as a photojournalist. I have not yet decided, but I may end up using the assistance of one or two associates to model certain characters for me in which I want to illustrate in the photographic collages. As mentioned above I gain most of my inspiration from visual media, but for this particular project much inspiration came from the core ideals of the novel, 1984. The notion of a larger system/government monitoring everyone and controlling every aspect of their lives makes me reflect on current American culture. I hope to bring my visions to life and have everyone take away something different. I want them to look past the cliche and overstated and see my personalized perspective of a bleak inhumane state which we are all a victim of simply by being a US citizen.


Friday, November 27, 2009

Chapter 3: The Fair - Review

This chapter was an interesting read. A bit hard to hear and digest this bitter truth. As I'm sure many other student artists would agree. Reading about the dealings of the art fair did stir up feelings of hope. I always feared choosing between the starving artist lifestyle or the monotonous commercial lifestyle, but this read demonstrates that those with true talent and connections can become financially successful as an artist. I was surprised to learn that collectors are overly eager to purchase as much art as they can. I envisioned the fair looking something like a closeout sale at Macy's with hordes of people pushing impolitely to snatch up the best works.

A quote that I found amusing stated that collectors are viewed as the least professional in the art world, because all they have to do is sign a check. The woman stating this seemed like a typical affluent yet over sophisticated snob with an ego larger than her bank account. But I found what she said to be profound; an artist doesn't become an artist in a day and neither does a collector, it's a lifetime process.

Thursday, November 26, 2009

Interesting MFA Program List

I have researched numerous universities that offer graduate programs in the visual arts. As a photographer, I have selected these 5 that I feel are the best choices if I were to apply.

1. Pratt Institute - Brooklyn, NY

2. School of Visual Arts - New York, NY

3. New School - Parsons School of Design - New York, NY

4. New York University - New York , NY

5. Rutgers, the State University of New Jersey - New Brunswick, NJ

Thursday, November 19, 2009

Chapter 6: The Studio Visit

In this chapter the author travels to the studios of very prosperous artists, mainly in Japan. She explores how the artists operate within their studio and how they produce art. The one artist the author visits, Murakami, has his staff arrive at 8:50am then begin the day with warm up exercises. To me this just sounds like the action of the typical eccentric artist. This artist in particular is said to be very angry and hard to please, he explains that this is a method he uses to make the assistants work harder, for if they easily receive praise they will not try as hard. As strange or cruel as this method sounds I think it's genius. The studio is kept very clean and so are the assistants. Typically there are as many as 40 projects going on. The artist will jump from one to another depending if he gets bored with one and wants to work on another. As an artist I do the same thing, except it's not 40 projects, more like two, three or four at most.

Mason Gross MFA Gallery Review

As I walked around this exhibit I had mixed feelings. First off I was very impressed by the large photographs on the front wall, when I arrived the artist's info was not yet listed. In front of these photos were wall pieces used to mount various pantings and some wood statues. I didn't like how these were fit into the gallery space. It felt a bit awkward and it robbed attention from work hung on the surrounding walls. The two small rooms to the left were utilized well in terms of space. I enjoyed the four huge artworks that filled the first room on the left by James Hyde. As a whole I was not very impressed, although I felt there were some strong pieces by certain individuals. The layout of the show could have been organized a bit better, it felt cluttered with poor flow.

Tuesday, October 27, 2009

Exhibition Visit (Student's choice #2)

MOMA, NYC, October 23, 2009

New Photography 2009

September 30, 2009–January 11, 2010


The photos exhibited in this show were of much interest to me, mostly because I take interest in working with composite/manipulated photos such as these. Three artists I found most intriguing were Daniel Gordon, Sterling Ruby, Sara VanDer Beek and their individual chromogenic color print series. The photos by Gordon were by far my favorite and inspired ideas for my own thesis project. His prints looked like the result of a deranged serial killer, bazar yet beautiful with a unique marriage of media such as photo cutouts, crude sculptures and other items arranged together to be flattened and married by the use of photography. The works by the other two artists were very much similar in terms of composite photography but consisted of completely different media and subject matter. Ruby's photos appeared to be very dark graphic design style images. I did not care much for the colorful rainbow-like photos by Walead Beshty or the photo series by Leslie Hewitt.


photos: Daniel Gordon, Sterling Ruby, and Sara VanDer Beek


Exhibition Visit (Student's choice #1)

MOMA, NYC, October 23, 2009


Polish Posters 1945–89

May 6, 2009–November 30, 2009


Upon walking up to this exhibit I was immediately drawn to the brutal imagery that filled these posters. Each poster has an individual identity and message, a message that screams at you. The poster with an illustration of a brick wall wrapped around a man's head reminded me of Pink Floyd's "The Wall." It clearly represents government oppression or containment of some kind. Overall I enjoyed the use of collage work and clever photo and illustration manipulations. Their use is most likely telling political ideals and opinions.